The great Willie Nelson has been a mainstay of Austin City Limits since the 1974 pilot  â indeed, many of us think of him as ACLâs patron saint. It was inevitable that some of Willieâs kids would follow in his footsteps, not only in music, but onto our storied stage. Lukas Nelson is not merely a chip off the old block, however. With his band Promise of the Real, the 28-year old singer, songwriter and guitar-slinger has regularly backed Neil Young and built his own legacy over the course of a decade with five albums and a handful of EPs. Nelson the younger recorded his debut ACL episode in support of his and POTRâs acclaimed 2017 eponymous album, which formed the heart of the show that we streamed live around the world.

âYou ever watch that show Rick & Morty?â said Nelson as he strapped on his guitar. âI wrote a song after watching it and I want you to hear it.â With that, he and the five-piece Promise of the Real (plus special guest Micah Nelson, Lukasâ brother) launched into the unrecorded song âEntirely Different Stars,â a psychedelic anthem that included plenty of fireworks from Nelson and steel guitarist Jesse Siebenberg and a coda redolent of Nelsonâs native Hawaii. The frisky country rocker âDie Aloneâ revved the engines back up, while âFool Me Onceâ took the same tack with a choogling tempo and sardonic lyrics. Nelson and company visited the other side of the law with âRunninâ Shine,â with the scion really showing off his vocal resemblance to the father. âCarolineâ showed an affectionate debt to the Texas singer/songwriter tradition, while âLil Girlâ incorporated reggae into the bandâs rocking Americana.

âFour Letter Wordâ married clever wordplay with an expanded Nelson guitar solo, including a quick snippet of the Beatlesâ âI Want You (Sheâs So Heavy).â The band brought the rock back for âSomething Real,â including more six-string magic. Then the Real quit the stage, leaving the Austin-born Nelson alone with an acoustic guitar for the crowd-pleasing âJust Outside of Austin,â a song destined to be a mainstay in his set for decades. Nelson underscored the Austin connection by soulfully covering Willieâs âAngel Flying Too Close to the Ground,â garnering an audience reaction as loud ânâ proud as that for âAustin.â Nelson then sang Neil Youngâs âHeart of Gold,â paying tribute to his sometime employer, for whom he and the rest of Promise of the Real have provided backup for the last few years. He wasnât done with other folksâ tunes yet, though, as he then went into Tom Pettyâs âBreakdown,â connecting his fatherâs distinctive vocal style with the late classic rockerâs.
P of the R returned to the stage for âForget About Georgia,â a melancholy country song that bespeaks driving all night and thinking too much about the love left behind. Nelson left heartbreak behind for the skanking kiss-off âFind Yourself,â which became an enthusiastic crowd singalong. A faithful cover, complete with a cappella intro, of Paul Simonâs âDiamonds On the Soles of Her Shoesâ was a surprise, giving bassist Corey McCormick and percussionist Tato Melgar chances to show their stuff. The spotlight then turned to steel guitarist Jesse Siebenberg, who provided an extended intro to âSet Me Down On a Cloud,â returning the band to the kind of elegiac anthemry with which they began. Nelson reclaimed his acoustic guitar for the gentle ballad âTurn Off the News,â before sending the appreciative audience into the night with the Southern rock singalong âThe Awakening.â It was a great show, and we canât wait for you to see it when it airs in ACLâs forty-fourth, only on your local PBS station.